Large ensemble & Orchestra
Void ward into the raven flock – For Symphonic Orchestra
Umbral Loops(2016) – For string orchestra
Coma I project (2021/2022)
Fixed media
dur: 40′
Chamber ensemble:
Deus Ex Machina (2018) –
Solo eagle recorder, string quintet,
electronics
dur: 20′
Effluvia (2015) – hrp, acc, vla, vc,
electronics
dur: 15’30”
Aquilegia (2017) – Chamber opera in three
parts
Libretto: Talajeh Nasiri
Mz-sop, ct, cl/b.cl, pno, prc, vln, vla, vc,
electronics
dur: 19′
Solo works
A tree of thought(2020) – Solo Recorder & electronics
dur: 10′
Arcana (2014)
a.flt, prc, pno, vla, vc
durata: 6′
Sketchlines – out of shape & gravel
(2012) –
flt/b.flt, cl/b.cl, pno, vln, vla, vc
dur: 8′
Theatre
Beacons (2022) – Solo Recorder
dur: 6′
Soundtrack (2022) for the play
Maleficarum by Ester Holmén.
Premiered January 2022 at
Reginateatern, Uppsala.
dur: 15′
Surge (2019) – Solo Piano
dur: 6′
Invocare (2018) – Recorder & electronics
dur: 7′
Soundtrack (2021) for the play
A taste of honey by Shelagh Delaney.
Premiered on the 10th of September 2021 at
Stockholms Stadsteater, Stockholm.
dur: 40′
Serenata (2015) – Accordion
dur: 5′
The music of Erich Zann (2013) –
Violin & electronics
dur: 7′
Vocal works:
Penumbra (2016) – Chamber choir &
electronics
Chain (2017) – Countertenor &
optional electronics
Hildegard Sequence: ”O Fire of the spirit” (2018) – Choir & electronics’
Electroacoustic:
Pareidolia (2022)
O Fire Of The Spirit – Prologue (2019)
Train cuts (2016)
Opera & Theatre music:
Aquilegia (2017) – Chamber opera in three
parts
Soundtrack (2019) for the play
Älskarinnor by Ann-Sofie Barany.
Premiere on the 11th of October 2019 at
Stockholms Stadsteater, Stockholm.
Composed for 14.1 speaker system.
dur: 30′
Soundtrack (2018) for the playThe tidings
brought to Mary by Paul Claudel.
Premiere on the 29th of March 2018 at
Dramaten, Stockholm. Composed for
14.1 speaker system.
dur: 45′